As mentioned in the introduction, the delay module works with any trigger that provides a simple circuit closure to ground. Triggers connected to the Input actuate the delay circuit. In this section, we describe how to make delay settings and test them, with or without flash or camera connected to the outputs.
The delay intervals generated by the circuit are those given on the Coarse and Fine Delay scales, with this caveat: The numbers on the scale may deviate by 10-20% from the actual time intervals. This is due to the tolerances of the RC circuits used to produce the time intervals. This deviation isn't important, as the scales are primarily intended to be indicators to help insure reproducible settings. What's important is that the results are predictable from one shot to the next. If it's important for your application to know the actual time intervals more accurately and you have an oscilloscope available, you can use the Cal (calibration) output to measure time intervals for constructing a calibration curve. As an example, a typical curve is shown to the right. The time interval measured on the oscilloscope in milliseconds (ms) is plotted versus the reading on the Coarse Delay dial. Note that the reponse is linear except for the extremes of the range (dial readings of 0-50 and 450-500). For readings of 0 to 50, the delay doesn't actually increase significantly above its minimum value. Likewise, for readings of 450 to 500, the delay changes little.
In setting the delay for a particular application, first note that the dial readings for the Coarse and Fine Delays are given in milliseconds (1 ms = 0.001 s). A good strategy is to start adjustments with the Fine Delay set at 25 ms. Then adjust the Coarse Delay until the event being photographed is captured. At this point, adjust the Fine Delay to a smaller or larger value to hone in on the time interval needed for best results.
The delay circuit can be actuated either with a trigger input or by pressing the Test pushbutton. When the delay circuit is actuated, the Instant and Delayed LEDs light in sequence. The Instant LED lights immediately and remains on for as long as Output Pulse 1 is high (see diagram above). This is the delay interval. The Delayed LED remains on as long as Output Pulse 2 is high. This is the Timeout interval. If one has, for example, both a camera and flash units connected, the camera shutter will be actuated at the beginning of Output Pulse 1, and the flash will be actuated at the beginning of Output Pulse 2.
The purpose of the Timeout interval is to suppress unwanted secondary flash discharges that can result from, say, echos and secondary sounds when using a sound trigger as the input. In order to eliminate secondary discharges, flip the Timeout switch to the Long position. The Timeout on the Long setting is about 1 second. Note that the Timeout only applies to the delayed outputs.
The input jack is used to connect triggers to the delay timer. The jack accepts a 3.5mm mono plug. Any trigger circuit that produces a simple circuit closure as an output will work. This includes all HiViz.com trigger circuits as well as a simple contact trigger.
There are three types of outputs: flash, camera, and pulse. Some are instant and some are delayed. These are described below.
Flash output: The Flash output is a delayed output. The jack requires an RCA-type plug. All that's typically required to use the output is to plug in the flash trigger cable and turn on the flash. The outputs are protected (up to 400 V) in case your flash unit is an older model that has a high-voltage synch circuit. Note that some modern flash units that are designed to work only with a particular camera's wireless flash system cannot be triggered with the Delay Timer 2s. However, the great majority of flash units will work. Occasionally, one runs across a flash unit that requires an unusual setting in order to be triggered externally through the hot shoe. Some experimentation with the settings on the flash unit may be required. Manual operation is always a good place to start. If you can set the flash power on your unit, it's typical for high-speed photography to select the lowest power available. However, there are occasions in which you need more light and where the motion is slow enough to allow the use of a higher flash power. Photographing drops and splashes is an example. Experiment with the flash power to reduce blur as desired.
Camera output: The camera output is an instant output. The jack requires a 3.5mm stereo plug. You'll need a shutter cable with the socket that matches your camera. It's typical in high-speed photography to set the camera for complete manual operation. With the shutter cable plugged in and the camera turned on, you're ready to take pictures. Keep in mind that all cameras have a built-in shutter lag. Even though a manufacturer may claim that a particular camera has near-zero shutter lag, keep in mind that this is a relative statement. The shutter lag may be practically imperceptible if you're shooting typical action photography involving human motions. For high-speed motions, the shutter lag may make it impossible to capture the instant that you desire. Events such as balloon bursts are an example. The burst may be over in as little as 2 milliseconds, much less than a typical shutter lag of 50 ms. For this reason, it doesn't make sense to trigger a camera to capture the burst of a balloon. Instead, one would trigger an external flash for this situation. On the other hand, when photographing drops and splashes, shutter lag isn't a problem, because in the time it takes for a drop to fall from a photogate sensor to a pool of liquid, the camera shutter can be opened.
The camera output will also trigger a flash unit, but here's a caution. The camera output has an optically-isolated stage that is rated up to 80 V. If your flash units has a high-voltage synch circuit, it may burn out the optocoupler in the Delay Timer 2s. (If this were to happen, the fix is simply to replace the PS2501-2 optocoupler.) If your flash unit meets the voltage criterion, you may connect its trigger cable to a camera jack; however, you may need an adapter to convert the RCA plug of the flash trigger cable, to a 3.5 mm jack. One reason to use a camera output for a flash instead of a camera would be if you wanted to discharge two flash units with a delay between them. You could connect the delayed flash to the Flash output and the instant flash to the Camera output.
The Flash and Camera outputs may also be used to trigger wireless transceivers. Keep in mind when using wireless triggering for high-speed photography that the transceivers typically introduce a time delay of their own of a few milliseconds.
Pulse outputs: The pulse outputs are just that; they are square voltage pulses from the delay circuit. Output Pulse 1 goes to the Cal jack, and Output Pulse 2 goes to the Pulse Delayed jack. The latter is 3.5mm mono, while the former is an RCA jack. The output pulses are about 9V high. Note that these pulses may not be used to drive high-current devices. That's not their purpose. The Cal output is provided either for calibration purposes or to trigger an additional device.The Pulse Delayed output can be used to trigger a flash unit that requires a low-voltage input for triggering. This is the case for some studio units.
Note that if you use either of the pulse outputs to trigger a device that requires a switch input, as is the case with most flash units and cameras, you will need a buffer circuit such as the Opto Switch 2. In use, a pulse output of the Delay Timer 2s is connected to the input of the Opto Switch 2. Then the device, camera or flash, is connected to an output jack of the Opto Switch 2.